My plan is to post more images and updates via my website instead of depending mainly on social media. Through this blog of photographs, you will see more of my process and take more time with images than you would usually while scrolling the social media platforms like we all tend to do. So please don’t hesitate to reach out and comment on any of them.
An Update...
As per usual, I realize that I haven’t updated my blog in a while. Luckily it hasn’t been a year, but four months is a little more than I had planned.
Every year I try to send work out to be juried in shows and competitions. Not only is it gratifying if my work is selected, but it allows my work to be seen by more eyes than it would if I just kept it to my usual channels. This year has been no exception, and I’m happy to report some positive returns. A Southern Verse, my first book, was awarded Silver from PX3-Prix De La Photographie Paris, and Second Place for Monographs in the International Photography Awards. Along with the Second Place in the IPA, it was also selected as a Juror’s Top 5 pick. I’m overjoyed to know that the book is being received positively and hope to have more to report soon.
While talking about the book, I also wanted to mention that it will be presented through the European Cultural Centre at the FIEBRE Photobook Festival in Madrid, Spain. The festival will be held September 23-25. Although there will be an online marketplace, if you still want to purchase a book, you’ll save money by ordering directly from my website. The most exciting part for me, though, is that Cristy and I will be attending the event! Neither of us has been to Spain, so we are looking forward to it.
Lastly, in the abbreviated blog, I wanted to mention some small changes to come via my website and social media presence. As sites like Instagram have made shifts in how they are focusing their algorithms, it has made many creatives have to take a look at how to either change with them or pivot and move in a slightly or sometimes drastically, different direction. That being said, I plan on focusing a little less on my Instagram feed and moving the images that I would normally post to a new, yet-to-be-named, page on this site. I think it might end up just being a simple photo blog, but I have yet to really hammer out the specifics. I’ll let everyone know, however, once it is up and running. Also, I’m thinking of setting up a newsletter via email that I will send out, most likely quarterly. If you think I don’t have your email and would like to be on that mailing list, let me know.
I can’t wait to share more with everyone and make this site an even more engaging place to see my work new and old!
Take a Break
I just spent the last few weeks putting together a book. That's right, a book.
I honestly didn't think I'd try anything like that right after publishing my first book. That project took five years of shooting, working, plotting courses, pulling hair, and most of this was done before Daylight even contacted me about possibly printing it. That said, self-publishing something can be fun, enjoyable, and not always break the bank.
Do I feel like this will sell? Well, I honestly wouldn't have done it if I didn't feel confident about it, but who cares if it sells? Don't get me wrong, being able to make money is good. I hope one day to make far more money from my work than I currently do, but that isn't why I create. That isn't why ANY OF US create. We make work, projects, and series to get things out of ourselves. We need to release something inside us that we can't express in any ordinary way. Art is our release, our medicine, our personalities.
When we left to go on vacation, I didn't realize that I needed it that badly. If you had asked me beforehand, I would have told you we were going away for way too long and that, after two years of pandemic and three rescheduling of said trip, we should just stay home. I was wrong. In fact, I feel like it was just barely the right amount of time... at least for me. My wife and I both agree, though, that it was something we all needed.
What I didn't realize, though, was the amount of creative stifling I had built up. That's not to say that I didn't have good reasons. There is everyday life to deal with, a book that I had been working on, and countless other things. However, like so many others, the titanic shifts, often unrealized, caused by the last two years, helped put me in a place of uncertainty that was beginning to drive me up a wall (even if I didn't tell anyone). This vacation eased all of that, though.
It took a few days, but once I shook the cobwebs off, I was shooting like crazy. The best thing about it was that there was no expectation from anyone, including myself. Don't get me wrong, in the moment, when I want to get that one image, I might get a little on edge if I can't get where I want to, but for the most part, the whole process is relaxing and pure enjoyment.
Long story short, though, I realized at the end of this fabulous break from the every day that I had amassed a decent collection of images from this trip. On top of that, they didn't seem to be just a good image here and a good one there, but they moved and worked together. Unconsciously, I produced a group of photos that I could make something of.
However, the whole book idea didn't entirely come out of thin air. I had been asked by someone on the trip, which we already knew, if they could purchase an image from the journey upon our return. I didn't let that guide me, at least consciously, but it did help me realize that I could edit this into a book. It could be almost like a personal photo album that I could share with anyone who cared to take a look... and also our friend.
In the end, though, the book is just a byproduct of what we all need sometimes; a break. We all need time, be it an extended vacation, a weekend getaway, or an overnighter. Hell, you don't even have to leave town. Just get out of your normal space and routine for a bit. Allow yourself to let go and feel the fun, fresh, and relaxing feelings that are the reasons many of us create and make. It's not always easy to do, but it is something in which I think we can all find value.
[As for the book, I'm still waiting for my copy. I did it just for me as an outlet, but I'm eager to share it if the printing quality is satisfactory. I'll update this and, most likely, post a notice in a future blog when/if it is available to the public. Contact me if you want more info.]
Back Home (an update)
Back in 2020, before the world went into a state of "New Normal," as some people referred to it, we had a vacation that we were looking forward to. My wife and I were looking forward to cruising around the Adriatic and Mediterranean with my parents. It would be a long trip that would include many new places for all of us. However, as we all know, the form of travel that came to a crashing halt first was the cruise industry.
As time dragged on through 2020 and 2021, we all learned new things about ourselves, others, society, video streaming, bread making, and countless other topics. We tried to find an appreciation of being with just our family or spouse/partner and to patiently await those times that we could gather again for cookouts, concerts, celebrations, and the like. But, over time, things began coming back, and the normal we were used to has started to show again. Those who don't want to wear masks aren't told to anymore, and those who continue to are not (hopefully) bothered by others about it. So, we rolled into 2022 hoping that all is starting to ease up.
Just writing that last paragraph made me think of all that has gone on for just our household of two (plus some four-legged inhabitants) over this time. I had my first book published, had work exhibited during the Architectural Biennale in Venice, and said goodbye to my dog. The ups and downs were many and made you realize that though seemingly short, two years is a lot of time.
In those two years, however, this voyage that we were planning was rescheduled, then rescheduled again, and then rescheduled one more time. Finally, as 2021 turned into 2022, we knew that this journey looked to eventually become a reality. The only hitch was that out of the four in our family that were about to embark on this voyage, none remembered the actual departure date. So, when we realized this trip was right around the corner, a frenzy of sorts began.
I usually don't stress about traveling; in fact, it's something that I crave most of the time. However, things can be a little different when one is caught off guard. By the time we were almost a week from leaving, I was hoping something would happen, and we wouldn't be able to go. I know I might sound ungrateful, and trust me, I'm not, but I just didn't think my nerves would be able to handle it. However, I was glad to know that I was dead wrong about all of it.
I wanted to share all of this to arrive at this point, almost two weeks post-return. I haven't been on a trip this rejuvenating and inspiring since my first visit to Italy nearly 24 years ago. We didn't realize, both Cristy and I, how much we actually needed this vacation. It was almost like a reset switch was flipped, and we came back ready to conquer all that we could. We got movement that we needed (like 80+ miles of walking) and have brought that energy back to incorporate it into our daily lives. I got out and photographed pretty much every day, sometimes just by myself. Work has been getting done upon return (this being part of it), and I feel like the malaise of the last two years is finally washing away.
I hope to have images from this adventure up in a gallery on this site within the next few days (Find it in the “Places” gallery). Also, I will be sharing some thoughts about some of the places we went and things more photographic in the next day or so. I talked to some people on our journey that were interested in getting some images and have decided that I'll be putting together a book through Blurb that they, or anyone else who enjoys the photos, can purchase. As always, I am happy to sell prints of some of the images if anyone so desires.
As we are entering the time of year that people are getting out, traveling, and vacationing, I hope that everyone can get out and do the things that help to motivate them and bring them joy. Be sure to relax when you can, but don't forget to take in all that is around you at the same time.
Confidence Boost
I don't give myself nearly enough credit. Ever. I'd love to say that just admitting that helps make me better at accepting credit for my achievements, but in all honesty, I still have a hard time receiving accolades, comments, and positive feedback. I don't know why it has been challenging for me to believe, but it's just how I am sometimes. I'm working on that, though, slowly.
A big help came in two forms in the past few weeks, and both revolve around my book that has finally been released, A Southern Verse. The first was a trip to Venice to present the book at the end of the exhibition I was part of there. The other was getting to finally show the book to some people, outside of close friends and family, for the first time.
First off, just about any excuse to go to Italy works for me. Having my work in the European Cultural Centre's (ECC) "Time, Space, Existence" exhibition would have been good enough. However, after working with them for almost two years (thanks Covid), they felt it would be nice to have me present the book at the final ceremonies for the exhibition. The work that I displayed was all either from the book or from the making of it, so it was fitting.
I can't express how nervous I was doing this presentation, but my wife assures me that I did very well. There were some technical difficulties, but luckily none of them were on my end. I think the one thing I know I did well at the moment was not to acknowledge that it was also being live-streamed around the world.
Unfortunately for us, this was the first time we could make it to the exhibition. Don't get me wrong, we're more than fortunate to have been able to go at all. This was, however, the last day the exhibition was open. It was amazing, though. I can't express how impressive all the work's design and artistry was. The shock of being a part of the exhibition, though, has worn off and left me just humbled and proud and maybe a little excited. My work was associated with the Venice Architectural Biennale. That will never change. I have that to hold onto now. I don't want to sound boastful, but it made me feel validated in a way that has offered confidence I have lacked.
I will try to go into detail about Venice and everything a little later, but the experience as a whole was fantastic and only made me want to do more.
Now the other part! A few days ago, completely out of the blue, I got a call from a trucking company asking me if I could be available the next day for them to deliver a palette of books. I knew they would be coming sometime in November but had been given no date. Well, December 1st brought all my copies of A Southern Verse to the carport of our house!
I had been expecting this day to come, but I really had no idea what would come of it. Of course, my biggest concern was finding a place to store all the books once they got to the house. Luckily, we have storage, so I got that covered. However, the unexpected positive that came from the day was getting to share the book with people as I took it to places to either sell or consign. It isn't very often that you get to see people you hardly know have their first reaction to your work, but putting a book in their hand and watching them enjoy it brought me some needed happiness and feelings of accomplishment that I hadn't allowed myself. This was so enjoyable that I really wish I could hand-deliver each of the pre-ordered copies.
Again, I'm in no way trying to make myself seem any more amazing than I actually am, but for once, I'm both proud and excited about my work. Obviously, I wouldn't keep doing it if I didn't love it, but there are definitely times when you aren't sure if what you're doing is really hitting the mark. I hope that no matter what it is that you, the one reading this, do, that you can find the positive things that keep you going. If you're an artist, I hope you find your audience, but mainly, your belief in yourself and your work.
Another Book Update... and MORE
As November approaches and it finally begins to feel more like autumn, at least a little, I figured it was time to post a little update of all that has been, is, and will be going on.
For the most part, I have been working on getting things ready for the book release. I feel like I need to apologize to people for the seemingly constant updates on it. Still, just like the rest of the world, the book is being affected by supply chain delays. The good news, though, is that all copies have been printed and made ready to ship. The bad news is that the release date has been pushed back from 26 October to 30 November. As I mentioned in a previous update, copies are still available for presale if you click here. However, I encourage you to order them from me directly, as you won’t get them cheaper elsewhere. Also, most of the proceeds won’t go to Amazon or another outside vendor. If you have already ordered a book through me, I have been told I’ll have copies to send out by the middle of November.
Speaking of the middle of November, that leads into the next update. If any of you will by chance be in Venice, Italy, the weekend of 20-21 November, I will be doing a book talk. As you may or may not know, I have pieces in the European Cultural Centre’s “Time, Space, Existence” exhibition during the Venice Architectural Biennale. For the final weekend of the show, they are hosting me for a book talk. I can guarantee that it will, in some way, be entertaining, as it will be the first talk that I give about the book. It wasn’t meant to be, but again, this will be the first due to delays outside our control. Wish me luck! I hope to have all the rough edges polished by then, though.
Outside of things going on with the book, I have been trying to create new work. It bothers me a little that I’m not able to go shoot as much right now, but I know that will come back around as things ease up with the book. I have to constantly remind myself that shooting doesn’t just begin; there is brainstorming that goes along with it. I prefer to do some of that while actually out shooting, but we’ll get to that point. The process is what it is, and we just have to keep moving forward.
In case I forgot to mention, those of you who ordered books from me already or intend to, I will notify you as soon as they ship. However, since the books will probably get here right before we leave for Italy, it might be right before or after Thanksgiving that I actually get them shipped. So, again, I’m sorry for the delay, but I think we’re all coming to understand that’s how it may be for a bit. However, if you live in the CSRA (if you don’t know what that is, you don’t live there), I might be able to bring it to you, or you can pick it up from me. Also, some of you were waiting to just buy one with cash, if that is the case, send me an email, and I will set one aside for you.
Alright, well, hopefully, I’ll have some exciting things to expound upon in the next few weeks. If nothing else, I hope to have some images to share from the show (finally) and more of Venice.
-Cheers!
A Southern Verse, Book Update (2 October), Last Chance for Signed Copies
We have come to the beginning of October, the month A Southern Verse is supposed to be released. However, the publisher has notified me that, although the books are printed and ready to ship, they expect delays due to COVID, much like other industries. Because of this, the book's official release has changed to mid-November to avoid any extra delays in shipping.
In other news, I have decided to let everyone in on a little secret that I was going to keep until books were shipped. Each signed copy of the book will have a special gift (5x7 Print) included as a thank you for purchasing in advance. I was hoping this could be a surprise and that I'd be sending them out in the next week or so. However, due to the shipping delay, that will not be possible. The reason I'm telling you this now, though, is because, after 8 October, I will be discontinuing pre-sale SIGNED copies. All copies purchased after the 10th will not be signed, nor will they have the special gift. This change also includes ant higher-priced options with larger prints.
You will still be able to purchase the book through me after 8 October. However, these copies will not be signed and will not have the extra thank you surprise. These copies, though, will be available for $45. I will be offering this option starting today, but after the 8th, it will be the only option.
So, if you already ordered a copy, it will be signed and include a 5x7 print as gratitude for your support. Again, this offer is still available through 8 October!
If you only want the book, no signature, no print, it will be available until I run out of copies.
Thank you to everyone who has already bought a copy; your support means the world to me. Thank you as well to those who plan to buy a copy, with the extras or not!
Presale/Donation Announcement!
I am pleased to announce that the official release date for my book, "A Southern Verse", has been set at October 26, 2021! This is very exciting, but we still have to make it to that finish line by raising the last bit of funds that publishing these days so often requires. That said, I want to announce that I'm going to launch a presale event that will begin as soon as you see this post, and run until September 30, or whenever we have sold out of available copies.
Like many presale events, I will be offering more than just signed copies of a beautiful, linen-covered, hardback book featuring 57 color images. So along with having the opportunity to lock down your copy of "A Southern Verse", you will have the option also to own pieces of the process that helped form this body of work.
Here is a detailed list of donation levels and what each will get you:
1: $20 Donation - 5x7 inch archival print (Choose one of 5)
Not all images make it into a book, even some of your favorites. I've selected five of my favorites that helped develop this work but just didn't fit into the streamlined final edit. Each image will be signed on the back and come with a certificate of authenticity. These are open edition prints and will be print on demand. They are a great way to affordably add to your art collection or give as a gift to help someone else start theirs!
2: $65 Donation - 1 Signed Copy of "A Southern Verse"
This level will secure you one copy of "A Southern Verse", signed by the artist. You will not be able to buy this anywhere but here. The book is 108 full-color pages, 57 images, and an introduction by Matt Porter from the Morris Museum of Art.
3: $90 Donation - 1 Signed Copy of "A Southern Verse" + All 5 of 5x7 Prints
This donation level will secure you a signed copy of "A Southern Verse", along with all five of the images available at the first donation level.
4: $175 Donation - 1 Signed Copy of "A Southern Verse" + 1 of 3 Limited Edition, 8.5x11 inch archival prints.
Along with securing your signed copy of "A Southern Verse", this level allows you to choose one of three limited-edition images. These three images are from the group of shots that just missed the cut for the final edit. They are limited to five copies per image and will not be printed again after they are sold. Each image will have a certificate of authenticity. This is your chance to have a piece of the photographic process that made this book possible and one that very few will have!
This is the top-level donation, and for that, you get something special. Along with receiving two copies of "A Southern Verse", your donation will get you a 13x19 inch archival print of an image featured in the book. The print is an edition of 5 and will be discontinued after all are sold. The image is signed and numbered and comes with a signed certificate of authenticity.
*Note: All options that include a copy of the book will be shipped as soon as the books have arrived from the printer.
I want to thank each and every one of you who donates or buys a book in advance. Publishing this work has been a goal almost from the start, and at times I didn’t think it was going to get there. Your help will be appreciated more than I can express. I hope that you enjoy this work as much as I have putting it together.
PS - If you have any questions, please don’t hesitate to email. I’ll answer them as promptly as I can.
A Break from the Hiatus
I would assume that the point of keeping a blog is to stay regular with it. If that is the case, I have failed miserably! I opened up the website's blog section, knowing that it had been a good while since I had written anything. It surprised me that it has been almost a year. The past year has been crazy for all of us in so many ways, but I don’t intend to dwell on that. I’ve had my issues, you’ve had yours, we all want to get back to normal.
In an attempt to keep this relatively short and focused, I’m going to stick to two things. Amazingly, after an entire year, I don’t feel like I have a whole lot of words to put down. Either way, here is what I’ve got.
For the past five years or so, I have been working on a long-term project, “A Southern Verse.” If you’ve navigated the website in the past, you will have seen some of the work. The work began as I was transitioning from running a gallery into working full-time on my photography. Over time, though, this work developed into a study of the landscape of small towns in the south, mainly in the regions of Georgia and South Carolina adjacent to where I live. Driven by curiosity, a love for the region, and a little dash of nostalgia and obsessive shooting, I amassed a rather large collection of images that reflect the everyday state of these places.
Normally, at least my normal, this would not be something that would have kept me from keeping this blog up to date. However, I’m happy to say that one of the reasons I haven’t gotten back to this blog is that “A Southern Verse” is being published by Daylight Books this fall. It has been a far more consuming process than I ever expected, but it has been full of learning and growing as well. There have been times I was ready to throw in my hat and quit, but in the end, I’m excited about this venture. This past week I finalized the cover, selected paper for pages, and sent off proof prints to the printer in Turkey. It has become more real and exciting as time has gone on. I’m hoping to start offering some pre-sales soon on the website and some print/book combos as well.
Also, I am hoping to be doing a book talk in Venice, Italy, later this year. Some of the works from the book are going to be part of the European Cultural Centre’s “Time, Space, Existence” exhibition that will be running concurrently with the Architectural Biennale. I’ll try to update you about that as time progresses.
Lastly, I’ve been developing some new work and running it through competitions to see how it is received. If anyone follows me on Instagram, you’ve seen some of it in the diptychs I’ve been posting. I’m not sure where I’m going with this yet, but that’s part of the process. I hope to have some of it in a more concrete form as the summer progresses. I think it is going well, though, as the series of diptychs I sent for the Siena Awards’ Creative Photo Award have been shortlisted. For those who don’t know, that’s a good thing!
There is more to come as the months go by, and I’ll do my best to keep everyone up to date on all of it. I’m sorry it has been so long since I’ve put in the effort to write, but I plan to be more regular, so please check back.
Some Good Things, Even in Not So Good Times
I’m sitting here trying to wrap my head around all that has gone on in the past few months. I think we can all say that the first half of 2020 has been, in the lightest way of looking at it, a mess. However, I’m not trying to focus on the negative. We have all been affected by the pandemic. We have all seen a loss in some form, either personally, through others, or both; yet we stay resilient and try to find the positive. I don’t know if I could have been this optimistic a few years ago, but I’ve been lucky to have a wonderful partner in life, amazing family, and great friends who help me keep my head up. That said, I want to share a few things that are going on, and even how all the constant changes due to the pandemic can bring a silver lining.
As I mentioned before, my wife and I relocated during all of this that has been going on. We are lucky to have been living somewhere that hasn’t suffered the way other places have, therefore allowing this to happen. Due to the move, though, I’ve been having to parcel time between helping get our house in order and getting some work done that had a looming deadline. Because of this balancing act, I haven’t had time to get out and shoot as much as I’d like to, and have yet to get to the changes I’ve been wanting to make on the website. Don’t get me wrong, I’m not complaining. I’m lucky to be able to do what I do, and happy that I get to spend time with both my work and family.
Although I haven’t done as much work as I wanted, I have had some good things come my way and will be hitting the ground running by the end of this month. I will definitely be a little more open about this as time goes on, but I was asked to produce some work for a new venue in Augusta. I’m thankful that I was considered, and can’t wait to get to work on this project. I have been going over ideas in my head since I was first contacted, but even more now that I have had an opportunity to see the progress at this facility and the idea behind it. If this were the only thing I had going right now, I’d still be ecstatic. I can’t wait to share more about it.
What has taken up most of my work time over the past few months, though, has been getting work ready to send to the “Time, Space, Existence” exhibition hosted by the European Cultural Center (ECC). The exhibition was to take place concurrent with the Architectural Biennale in Venice, Italy, starting this month. Due to the pandemic, though, the Biennale, and the ECC exhibition, were rescheduled to start in August. However, I just found out that it has changed. Since travel is still an issue for many of the international architects, the Biennale has been rescheduled for 2021, and the Art Biennale bumped to 2022. Although it was a little annoying that I spent the past few months working hard to get everything ready to go, I’m not at all bothered by it. It makes the most sense, and it allows everyone the best possibility to make it for the opening festivities. What makes me happiest about this, though, is that it means my parents will get to see the exhibition, as we are going to be in Venice next summer.
I still can’t get over all that has gone on since the beginning of this year. We have all been affected by one global crisis, and there is no denying the catastrophic effect it has had. Big or small, hold onto the good things and try to keep your head up. I wish everyone the best and hope that you have some positive things come your way as well.
Did I Mention We Moved?
I’ve noticed that some people have actually been going back and checking to see if I have posted anything as of late. I’m sure you’ve seen for the past few weeks, the answer has been, No. However, I have good reason, and want to express my thanks to those who have been curious enough to look and see what has been going on. I’m striving to stay up to date on this blog, and maybe even find some sort of solid focus and direction, but I’m no stressing over that part. I’ll let everyone know when any major changes actually happen.
The reason for the lapse in posts, though, and the rather everyday image associated with this post, is that we have been in the midst of a move over the past month. It was a little tough and hard to figure out with the pandemic going on, but we did it, and in the safest way we think we could have. Anyone who has ever moved, though, knows that it doesn’t just happen over a few days. It is a long process, but it gets easier each day. I honestly don’t think it would have been this easy if it weren’t for the help of my wife, my parents, and my father-in-law and sister-in-law. They all helped in ways that I can’t express enough, and all my thanks to them!
Due to the move, though, I’ve had to streamline what I’m working on for a short period. Juggling home and work has been a little challenging, but totally worth it. I know that a lot of people have had to work from home and juggle similar things with families including children and other family members, so to say it has been challenging is very relative. However, throw a move into the mix and it gets close.
I hope to get back to shooting again in the next few days, and I’ll be posting more online.
As for what I’ve been working on, my main focus has been on work I’m sending to the European Cultural Centre’s exhibition, “Time, Space, Existence”, that will be held concurrently with the Architectural Biennale in Venice, Italy, this summer. The Biennale opening was moved from May to August, and will run through November, however, the work with the ECC will be up until February of 2021, so I’m looking forward to as much exposure as possible. It was an honor to be invited, and I’m even happier that I’m able to participate. I don’t know if I’ll be able to attend the opening, or even the event at all, but hopefully that works out. Either way, I have things that I need to get done for that by the 18th of this month, so it has been my main focus while not working on things around the house.
Once I’m done with the pressing work over the next ten days, I hope to do a little reworking of the website. Nothing major will be done, but I need to thoroughly update some information, and also move some files around, as well as edit some of them.
I’ll be sure to let everyone know how things are progressing once I get back to a little more consistent workflow, but until then I’m going to enjoy the chaotic fun of putting a house together with my wife, and dealing with pressing deadlines that are simultaneously stressing and fun.
Cheers to all, and stay safe!
026
04.11-17.2020 (Wow, a week)
Well, I didn’t think it would be that quickly that I fell apart on keeping a day-to-day entry on this blog, but those things happen.
Honestly, though, we have been busy. Before the world went on lockdown, for the most part, we were planning on moving back to North Augusta (actually TO for my wife) after the first week of April. Needless to say, some things got a little messed up and we had to adjust plans. Luckily, though, we have been able to safely, and with VERY MINIMAL interaction with others, get most of the things done that we’ve had to do. I would suggest, though, that if you ever plan to move, try to avoid pandemics.
Anyway, between working on the move and the boring, behind the computer, part of projects, I’ve been busy. Juggling the two, and trying to be present at the same time takes more time than you realize. I have to admit, though, I have the most amazing partner in my wife. She makes all of this so much easier than it could be, and I can’t thank her enough for that!
I hope to keep current with these posts, but I’ve realized that I’m getting into a good rhythm with work, so that takes precedent. Either way, though, keep checking in, I have some things in the works that I’ll definitely share once they are more solidified.
025
04.10.2020 (Things in my Workspace)
024
04.09.2020 (Afternoons and Cats) Big thanks to Cristy for helping spot some things today!
023
04.08.2020
022
04.07.2020 (Work, Sleep, Tissue, Play)
021
04.06.2020 (Editing Day)
019/020
04.04.2020 (Saturday Movement, aka Walk)
04.05.2020 (Taking Out the Dog)
018 (A look into something... new?)
At 6:00 tonight (18:00), the state of Georgia is officially on "Shelter in Place". We have been out today to do some last minute things, well, really just one, and it's a madhouse of sorts. Luckily that was all done early, and we're at home, where we have been for most of the past two weeks. As the reality of this settles in for all of us, though others have been here for a while, it's seems like a good idea to reflect on what you can to get your mind off of things. For me, as it normally is, that comes in immersing myself in work. I don't know how healthy that normally is, but it helps.
What I wanted to do, as I've been working on some things over the past week, is give a little look into not only that work, but what I've been brewing over the past year. I'm not going to say any of this is finished, but it has developed from a broad concept into, if nothing else, a guide for where I see my work going for the foreseeable future. I have some other ideas in mind, but this is work that has been done, and I want to talk about it a little.
A year ago, we rented an apartment in downtown Macon, Georgia. The idea was to only be here for a year, and although the reason for the move had nothing to do with work, I wanted to take the time that I was here and try to make something of it. Over time, I began to see my work and process here develop much the way I would expect it to in a long-term residency. I ended up studying the area around me and tried to apply myself and my way of seeing to my new environment. As this time is coming to an end, I've found that things are becoming much clearer, and if I don't have a full, cohesive body of work that has come out of this time, I at least have a better insight into where my work is at this moment.
I have been saying for the past few years that my work is a type of street photography, but I had started to lean to a concept of Social Landscape photography, or at least a mix of the two. Since my work is considerably devoid of people, at least in a physical form, it tends not to be considered street photography, but I do tend to work and move through places the way one might when shooting more traditional street photography. The social landscape, though, that which is formed and, in a way, dictated by human interaction and crafting, is probably a more appropriate term to describe the work I have done and continue to do. I don't have anything against people, and have included them in work, but I find that my work is a reflection of what I think about, and the people in the images are not the subject, at least not directly, and therefore distract from the illustration if they are there, or at least obvious.
All that said, here is a working artist statement to give you an idea of where the work is right now. There is a tab, "New Work", that has some other images from this past year. It may change soon, along with the working title, but give it a look if you haven't already, as it was the incubator for what is in the works. I hope all is well with everyone, and that you are all staying as safe as you can in these weird times. Let's keep our distance and stay healthy!
"Time seems to overlap in the social landscape of cities and towns. As time goes by, structures build up, and become like sedimentary layers in which we can see the history of the social landscape reveal itself. Sometimes these places flourish and continue to be desirable, yet others have their moment and drift into disuse, while still others seemingly fluctuate through times of use and disuse.
These layers, formed by buildings, roads, power lines, and more, crate a landscape that we tend to passively interact on a daily basis. Whether we drive past them while focused on the road, or walk past them, intent on where we are going, our familiarity with them tends to draw us away from seeing the complexity of a common, yet graphically intriguing, landscape.
The form and flow of these landscapes, and some of the details that they offer, have always provided me with questions, most of them narrowing down to "what" and "why". What was here? Why is it not here anymore? What was this like? Why doesn't anyone else see this? I've never really asked these questions of anyone else, but these images are my attempt to give myself some answers. If nothing else, there is form and structure that makes me content and drives me to ask more questions that I can attempt to answer."
017
04.02.2020